Monday, March 22, 2010

United Planet...Broken Legion

Steverino here to escort you into the future.
It's a frightening look at Earth
in the year 2994.
  
The Legion of Super-Heroes
DC Comics: NO 1, Nov, 1989


plot & pencils:Keith Giffen  diaologue:Tom & Mary Bierbaum
co-plot/inker:Al Gordon  letterer:Todd Klein  colorist:Tom McCraw

"Five Years Later"
It's dark. It's bleek. It's not much fun...and not a bad first story.
An attempt to revamp a "Team" title that was doing fine until
 the "Crisis on Infinite Earths" made it necessary 
to alter the status quo.
 Five years older and with the United Planets
about to collapse the LSH has been forced to disband.
Reep Daggle, aka Chameleon 'Boy'

wants to put the team back together.





That's the meat of it. It is confusing. There are no real costumes,
logos or super names. Just a brooding Rokk (Cosmic 'Boy') Krinn
without his powers (Due to a battle.The reader of this first
issue should fill in the blanks) and his pregnant wife Lydda.
He wants her "off planet". She won't go without him. Yawn.
Chem makes his pitch.


There is this cool retro look back.


And three pages of this stuff.

UGHH!
The story was more difficult than it had to be but 
Giffen and Gordon were setting the drama and feel for this
go 'round of the LSH. Cool blue bots, Polar Boy, A field
commander "Digby" (with a sweet scar) and one armed
"Loomis" round out the middle of this book.
With that in mind, it really wasn't a 
bad way to start. We, the reader are left to fill holes,
 but I still wondered what happens next.
Just good art and a rigid nine panel per page grid don't help.
 I'll look past that and see how the series progresses.

  This may be the best looking page in the comic.


I am glad I pulled this out.
 Now I've just gotta find "Emerald Dawn".

Monday, March 15, 2010

Bristow Art

Stand Back Folks. 
It's "Mad" Bristow Art.

Bristow

Hello everybody… welcome to my first blog!
My name is Bristow, and I am the creator, artist and writer
of my own comic strip – “Mad Mouse”.

ALL IMAGES CLICK LARGER 

I’m a little uneasy with self-promotion,
but I doubt anyone else would have nice things
to say about me, so here I go.

Mad Mouse” is a life-long (so far) culmination of what I’ve
 ingested from the comics world. As a boy, I loved
magazines like MAD and Zapped. I was an avid reader of
the newspaper funnies, paperback compilations of B.C. and
 the Wizard Of Id, Archie and Richie Rich comic books.
To me, Lil’ Abner was serious literature and there was
 much more to learn about life from
Zippy The Pinhead than from the Brady Bunch.


 I was never certain that a career drawing comics was for me.
I was a good enough artist, just had no vision for it as a young man.
 I hid behind the pen and paper, really.
The role of class-clown was appropriate - I just preferred
 to remain anonymous and let funny drawings tell all my jokes.
 I was the kid who would draw a cartoon of you doing something silly,
 add a little social commentary, then pin it on the bulletin board
 before class. It was generally accepted as good natured humor
 okay, most of the time. Boobies on my sister’s paper dolls and
 cartoons of hot dog like people shouting obscenities on
the pages of our Church Hymnals,
 would soon put me on the blacklist. I loved it.


Growing up in Southern Indiana was not conducive
for an aspiring satirical cartoonist. Nobody there,
who was actually looking to hire an artist, shared my love for
 R. Crumb, Bill Griffith or Harvey Kurtzman.
 Commercial Art school was only good for a year and
 creative writing courses at the local college were good for even less.
 So I did what any other intelligent person would do…
I moved to Chicago to make it big as a comedic actor.



Even though drawing took up very little of my time during the
next several years, I believe it was the experiences of
everyday life as a young man, on my own, in the big city
that were forming the foundations for “Mad Mouse”.
I wasn’t aware of that part yet, but when I did begin to sketch again,
 I found that I had not lost my ability to satirize
using two little farm creatures as my spokespigs.
Unfortunately, these two little swine
never made it out of my drawing books.


By the time I had landed-in, burned-out-on, and escaped-from
 Los Angeles, I had found a new desire to create comics
and was working on a character based on a drummer
friend of mine who played under the moniker, “Robnoxious”.
 A couple of these were used in Modern Drummer Magazine
 as advertisements… but nothing else came of it.
Working on these strips, however, was when I really began
 to sink my teeth into the storytelling aspect of cartooning.
 Although I had a lot to learn, I was letting my guard down and
allowing the cartoons to do my talking... albeit, a little bizarre.


Now was the point in the blog where I was going to introduce
how Mad Mouse came about, but I thought I would share
 with you a few other –unrelated- works first.
 During my last year living in California, so unsure of which direction
 to take my art in, I took on a tattoo shop apprenticeship.
It was a very interesting life experience. I had the opportunity
 to create some cool flash art and study an entirely different genre,
 but the bloody skin thing…




I also have been known to pencil sketch from time to time,
 but mostly, I find it unsatisfying.




Okay kids… you’ve waited long enough!
Let’s talk about the mouse. Earlier in the blog,
 there were a couple of the strips showing the type of
 situations Mad Mouse regularly finds himself in.
 As the comic has developed, so have the characters
 and storylines, and some episodes are now running for
three to four weeks at a time… and that’s daily!


As you can see, there isn’t space to run the entire story,
 but the first and last strips from that Vegas adventure should
give you an idea of how the trip went for Mad
 and his best pal Trouble Mouse.
I mean, check out how Valentine’s Day ended-up for this poor guy!


Mad Mouse” really does have it all – if you have a distorted
view of the ways of real life like I do.

Where else would you find the life and times adventures of
a divorced, middle-aged, underachieving,
alcohol and nicotine addicted, human-like rodent
who just can’t seem to get things right despite
 his desperate search for the meaning of it all?
I mentioned his troublesome best friend,
but wait until you meet his teenage, lesbian, daughter
who just moved into his tiny apartment
just until her band makes it”.
 Or his beautiful, successful girlfriend who is determined
to help him change his ways. And what creature of such
 questionable values would be complete without a conscious
 in this case that would be Jesus Mouse,
 the omni-present meddling voice of reason.
It’s bound to get interesting.





Well folks, there you have it… for now anyway.
 You can read (and even subscribe) daily to “Mad Mouse”
on Go Comics. There is a site there called Sherpa,
 especially for up and coming cartoon strips and their creators
 looking for syndication, and/or exposure. I am seeking both!
Go to: http://www.comicssherpa.com/ and click on “Mad Mouse”
 either the thumbnail, if a new strip has been uploaded that day,
 or find the title under “See All Comics”.
 Feel free to comment on the strip as well. It’s free to subscribe
 and the numbers could only help in the development of my strip.
Comic books are in the future plans for “Mad Mouse
 with edition #1 currently being drawn.

I’d like to thank Comic Creators United for
 posting my work on their blog this week.
 They’ve been great and always have something fresh
and very cool to look at. Thanks guys!

If you would like to contact me regarding
“Mad Mouse” you can do so through my artist email:
madbristowart@yahoo.com

A big thanks goes out to you Bristow.
As "Mad Mouse" continues to break new ground,
 CCU can say "we got you at the start".
We're gonna miss that crazy mouse.
 Come back and shake things up again soon.
 We'll follow you to the cheese
 as long as you tell us how to steal it.
 
Mad Mouse can also be found HERE.

Monday, March 8, 2010

"Callous" Comic Fun

She's a Doctor. He's a Duck.
What could happen?

Callous

by Carlo Jose S. San Juan, MD

Hello! I’m Dr. Carlo Jose “Caz” San Juan, 32, male, husband,
and father of one son. Other than being a physician, I am a
professional voice actor doing occasional work for television
shows and radio advertisements. But that’s not why I’m here.
I’m here because I’m a cartoonist as well!

All Images Click Larger

 Like many cartoonists before me, drawing comics
 has been a passion of mine since my very early youth.
 I grew up reading a wide variety of comics but my daily delight
 came from within newspapers in the form of the funny pages.
 They were a daily treat and eventually became huge inspirations.
I joined student publications in high school, college,
 and medical school and drew comics there.

However, from my fourth year of medical school onwards
 life as a doctor-in-training and eventually as a new physician
 became particularly hard so I had to put my cartooning on hold for
several years, during which I got married and became a father.


In September 2009, while playing around with a free
online hosting service, I slowly made a website for Callous,
an award-winning comic strip series that I began in
my college student newspaper in 1996.
I started making daily comic strips with no intention to
keep it up for any prolonged period of time.
I just wanted to see if I could do it.
Well, it turned out that I could and I haven’t stopped since.


The Callous Synopsis
It all started when Rianne Nicah, a medical student at the time,
 woke up one morning and found
a duck clad in plaid flannel in her home.
 He introduced himself as Cal Duck, Rianne’s guardian duck.
Similar to guardian angels, guardian ducks are guides to becoming
 the best person one can be. Unfortunately, unlike guardian angels,
 guardian ducks are not invisible. Furthermore,
Rianne was Cal’s first charge, and initially much to her chagrin
 he would often be accompanied by his mentors:
 Mallard Duck, Decoy Duck, and Ling Duck.

Time went by and Rianne graduated from medical school
and had gained good friends in her otherworldly housemates.
She finished specialty training in family and community medicine
 and now practices in a local hospital
in her hometown of Chanceborough.
 The only other people who know of the guardian ducks are
 her best friend, Aimee Queens, and her niece, Audrey Nicah.

Today, she continues to brave the world as
a struggling new physician. Life still teaches many lessons and
she has her good friend, Cal Duck, to help guide her through.


The Art, Writing, and Challenge of Callous
In the webcomic world, there is an increasing trend toward
 producing a comic mostly, if not entirely in the digital format.
 I am a bit of an old-school artist who still uses black pencils
and ink prior to scanning. I’m more comfortable that way and
 the roughness of line work adds a bit of “warmth”, in my opinion.

Groo’s Sergio Aragones, Garfield’s Jim Davis, and
Archie artists Stan Goldberg, Dan DeCarlo, and Henry Scarpelli
 formed the initial influences of my comics,
particularly on facial expressions and word balloon use.
Later on in the mid-1990’s an anime explosion led me to
the epic Dragon Ball-Z and a charming little series called
 Nintama Rantarō which influenced how I currently draw hair.
 Years of reading Charles Schultz’s Peanuts,
 Bill Watterson’s Calvin and Hobbes, and Walt Kelly’s Pogo
 showed me the importance of character and
relationship dynamics, as well as how
not every comic strip has to have a joke to be enjoyed.
I have recently been told that my art style, particularly the line work,
 falls under ligna claire and I somewhat agree.


When I started making Callous comics strips daily,
I would pencil and ink during my lunch break at work
 in the hospital. With that situation I had to keep my drawing
instruments light so I restricted myself to one pen,
one pencil, a ruler, and a sheet of copy paper.
 In order to separate my foreground from the background
I would use a high contrast of black, white, and gray
between them. When I started publishing in color,
 my choice of hues were also highly contrasting, probably
 subconsciously influenced by years of reading the
 Adventures of Tintin series by Hergé.
This led to the current similarity to ligna claire, a look I’m
quite pleased with especially with what little materials I work with.


Story ideas come from everyday life in and out of the hospital.
 I type little notes in my smartphone whenever I see or think
of something I’d like to make into a comic strip.

 
 Other Current Work

Apart from the Callous comic series and the occasional
guest comic I do for other webcomics, I currently have
 no plans to draw anything else. Perhaps after a year or so
I’ll try producing a compilation book of Callous comic strips.

Other than that, I am writing a comic story called M.O.U.S.E.
 about a cybernetics and robotics student on her last year
 of training who is inadvertently assigned to intern at a
mad scientist’s laboratory. I tried drawing it myself but
 I figured my art isn’t right for the tale. In my dreams
I’d have someone like Massimiliano Frezzato
(my favorite comic artist) to draw it.
 Right now, however, I’m in the hunt for a proper artist.


Links

The Callous Website
the official website of the Callous comic strip series
(http://callous.yolasite.com/)

The Callous Comic Series Fan Page on Facebook
(http://www.facebook.com/pages/Callous-The-Comic-Series/124724964411)

Callous Comic Strip on Twitter
 (http://twitter.com/callouscomics)

Thank you, Comic Creators United,
 for the opportunity to share all this with all of you!

Right back at you, Carlo. Wow.
A Doctor, writer, cartoonist and I'm sure, a Man-about-town.
He's left nothing for the rest of us. We still win.
If "Callous" is an indication of the rest of the
good Doctor's endeavours we're in good shape.
 When you get a free minute please come back and bring
us an update on your work.
 
 
 

Cool, Really Cool, Dud

This week I went deep into THE BIG BOX
and came out with a bunch of cool covers, a few 
cooler covers and one not-so-cool darn near
painful front sheet.
First up:
BATMAN
no.331 JAN, 1981

Cover Art by Jim Aparo
This is a sweet cover produced at the start of
what would be a very tough decade for cover art.
New printing technology and young artists
made this simple style tough to find for a while.

ZERO HOUR:CRISIS IN TIME
no.4 Sept, 1994

 Art by Dan Jurgens and Jerry Ordway
This is just one of many very nice covers from the
Zero Hour saga. Each story kept my interest much like this
Superheroes mask/cowl themed cover. So cool.
I love Hawkman's cowls along the bottom.
I do not love the bar code box.

POWER MAN
no.29 Feb, 1975

Art by George Tuska
Very good art, composition, color and fun 'make' this cover.
Another reason I miss the 1970's pop art.
And by the way...Cage won't be joking about your looks
now that he's heard your name. "Mr. Fish".

GHOST RIDER 2099
no.10 Feb, 1995

What can I say. It's creepy good.
It's so weird you've got to pick this issue up and read.
Inside you'll see lots of splashy art (that was the 90's) and
not a lot of dialogue. I kinda like that.
You will also find a four page Fleer ball card ad. 

DAREDEVIL
no.327 April 1994

Cover Art by Scott Mcdaniel
The outstanding cover art was carried throughout the
"Tree of Knowledge" storyline. The almost non out-lined
artwork on the interior matches the covers appeal.

MOONSHADOW
no.1 Sept, 1994


I just dig the orange Moon thing and his funny grin.
It is a neat cover to a strange story.
The inside pages are also low gloss water colors of a
child like story for adults.
A nice piece to hold in your hands.
Did I say it's suggested for mature readers.

And now this public service message.

FRONT

BACK
"One bad habit leads to another". Now I collect comic books.
I don't know where I got this but it worked. I don't smoke.
Thanks super friends.

Having fun? Not so fast.

DEMOLITION MAN
no.4 Feb, 1994

I wouldn't have signed it either.
Simon Phoenix in the back there only has
one and a half legs... but he's drawn well. 
The colors are fine too but 'what up' with John Spartan?
What's he looking at for one thing?
Do I even need to bring his arms up? It's anarchy.
The page art is much better.
I dare say it's good.
Sell this one inside out.

Monday, March 1, 2010

 
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